Ivars Peterson's MathTrek

November 4, 2000

Mathematical Art on Display

The term "mathematical art" usually conjures up just one name--that of Dutch graphic artist M. C. Escher (1898-1972). Many people are familiar with Escher's endless staircases, hyperbolic tilings, Möbius ants, intricate tessellations, and other creations. They may also be aware of the intertwining of mathematics and art during the Renaissance, with the development of perspective painting and eye-teasing stagecraft. A few might add the names of Piet Mondriaan (1872-1944), Salvador Dali (1904-1989), Victor Vasarely, or Frank Stella.

But the realm of mathematical art is far wider and more diverse than most people realize. A surprising number of contemporary artists count mathematics--from Fibonacci numbers and the digits of pi to tetrahedra and Möbius strips--as the inspiration for their creations.

For those fortunate enough to be in New York City, the Art & Mathematics 2000 exhibit offers a rich sampling of artworks inspired by mathematics, ranging from the gracefully curved sculptures of Brent Collins and tensegrity structures of Kenneth Snelson to the playful polyhedra of George Hart and the wavy painted grids of Doug Pedens.

The show runs from Nov. 7 to Dec. 15, 2000, at the Cooper Union for the Advancement of Science and Art, Humanities Gallery and Brooks Design Center, Albert Nerken School of Engineering, 51 Astor Place, New York City (http://www.cooper.edu/engineering/Welcome.html).

"A work of art is the demonstration of an idea represented through form, line, color, and value," says New York City artist and exhibit curator Clifford Singer, whose own paintings reflect classical geometric theorems. "Rarely has such harmony been brought together than in this exhibition."

ART

Clifford Singer, Continuity, 1999, acrylic on plexiglass, 36 x 36 inches.

The show features artworks by the following people:

Several of these exhibition participants will take part in an art and mathematics symposium on Nov. 11, 1-5 p.m., at the Cooper Union's Driscoll Auditorium.

In commenting on the immense scope of mathematics, the 19th-century British mathematician James Joseph Sylvester (1814-1897) remarked, "Its possibilities are as infinite as the worlds that are forever crowding in and multiplying upon the astronomer's gaze."

The same can be said of the unlimited scope of imagination, whether in mathematics, art, or everyday life.

Copyright 2000 by Ivars Peterson


References:

Emmer, M., ed. 1993. The Visual Mind: Art and Mathematics. Cambridge, Mass.: MIT Press.

Peterson, I. 1998. Twists through space. Science News 154(Aug. 29):143.

Additional information about the Art & Mathematics 2000 exhibition and the accompanying catalog can be obtained from Clifford Singer at CliffordhS@aol.com.

Information about the International Society for the Arts, Mathematics, and Architecture can be found at http://www.isama.org. An account of the ISAMA 2000 conference is available at http://www.nexusjournal.com/conf_reps_v2n4-Peterson.html.

The mathartfun.com shop at http://www.mathartfun.com/shopsite_sc/store/html/index.html offers an introduction to mathematical art and a selection of products related to tessellations, polyhedra, fractals, and much more.


Comments are welcome. Please send messages to Ivars Peterson at ipeterson@maa.org.